11 bugs/10
I absolutely need to give this film 11 bugs, because if it’s breaking the rules, so will I.
Go rent it now, before you even read this, if you can even understand it at all.
Go rent it now, before you even read this, if you can even understand it at all.
But you'll spend the entire film up until Nolan wants you to, changing your mind back and forth about whether or not to trust these characters, and it will totally engross you into the heart of the picture.
Or maybe not.
Lenny's (Guy Pearce) entire memory exists on Polaroids he takes of people (Carrie-Anne Moss and Joe Pantoliano both, of the Matrix) who may be his friends.
Because of the film's structure and premise, it is uniquely able to make up its own rules as it goes along, which gives Nolan a free ticket to indulge himself slightly past the point of acceptability.
Which is why I'm glad I saw it with my girlfriend.
Anyone willing to accept this will enjoy the film like no other, unless you watch it with Mike or this guy Dan from my bowling class.
But when all is said and done, they're just tiny little pricks that shouldn't take away from the enjoyment of the film.
The storyline is not without its cluster of pin-sized holes, small onto themselves, yet numbered enough to let a little light come through.
I cannot recall a movie in which the form and content are more completely intertwined.
The movie is shot in reverse chronology scene by scene, each scene ending approximately just where the previous scene began, often picking up in the middle of the action which will disorient you for the next five minutes of the movie, exactly as the main character is.
I was so disoriented at one point, I think I asked my cat what was going on.
And the movie is told through his perspective, so it really fucks you up.
See the movie was about a Guy who has his wife murdered and gets hit over the head so hard he loses his ability to make new memories, so he tattoos important stuff like "John G. raped and murdered your wife" across his chest.
He's also very good in this movie.
I spent a lot of time studying Guy Pearce's pictures and the tattoos all over his arms, legs and chest.
Of course, my girlfriend helped with that.
From that second on, it was like a 4-dimensional timed puzzle I had to try to put together.
But I think that was its intention.
The opening shot was shot backwards with a Polaroid being waved in the air and erased, and that's the last thing I fully understood.
If you want to see a refreshingly unique film with not only a new and excellent premise, but also possibly the most cleverly narrated style since the invention of the plot, go rent Memento.
If you want to go see a crappy movie, go see Evolution again.
