Apocalypse Now sets a great table, but burns the bird
What’s worse than having a bad ending for your movie? Not having one at all.
I’m speaking in terms of the filmmaker here. Obviously, the movie ended. They all do. Frames come and go a dozen at a time and eventually people leave the theater or log off Netflix or eject their VHS cassette (haha, just kidding – nobody does that anymore). But as a director, it must suck having a great movie on your hands and no good plan on how to wrap it up.
Martin Sheen opened the movie by taking a job trying to find an officer who definitely went rogue and probably went crazy. That is, if you’re going to believe Harrison Ford, who is for some reason in this movie for exactly three minutes. Apparently nobody had heard of Star Wars yet. So the entire movie, Sheen is traveling upriver, looking for OH SHIT – Marlon Brando is in this movie? AWESOME! Along the way, he gets sidetracked, has to fight his way out of some situations, and runs into some nut jobs. This is where the movie should have stayed. Because they were awesome sequences, both in the action and the characters. But the entire trip, we were distracted by this eminent showdown with Brando. This isn’t the real movie. This is just a pretty streamer going from corner to corner in the den. And then comes the showdown.
I don’t know how to describe it but to say it was weird. Was Brando crazy? Why were all these people – including the last guy they sent to kill him – worshipping him like a god? What is his fetish with decapitation? I never really got the feeling he was a bad guy, despite the decapitations. But I never got the feeling he was a good guy. And it wasn’t like Paul Reiser from Alien, where I just didn’t know because he walked the line so well. It was because I didn’t really care. Or I didn’t really get it. And I felt like I should. I mean this is Apocalypse Now! So I looked online. Apparently nobody else got it either. Including Coppola.
If that movie could have just somehow lived in those seemingly disparate sequences in the middle, it would have been so much better. If there was a way to wrap it in something else, like maybe some lettuce or naan or something. Because the white bun wasn’t working. But MAN would it have taken balls to watch the final cut and decide to cut Brando out of the movie. Yeah, that’s probably not the best use of money. But instead, we got what we got. Still, that middle section with Robert Duvall and the other trouble they ran into was fantastic. Just cut the movie off 45 minutes from the end and you’ll thank me. And yes, I’m aware I kind of said Paul Reiser did a better acting job than Marlon Brando. I’m not sayin, I’m just sayin.
5.5/10
Dustin Fisher
Dustin Fisher

